It’s been a week since I saw the movie, and I can’t get through the title without a huge smile creeping on my face. I remember the scenes, the ending especially, and the cute faces of Ayushman Khurana and Parineeti Chopra’s characters and looking at them happy, I feel happy. The ending ingrained in my mind is such an amazing source of never ending smiles.
Meri Pyaari Bindu (Loosely translated to My Lovely Bindu) is a combination of (500) Days of Summer, Forrest Gump and Paper Towns. Sort of. For the initiated, the people who have seen these three films, will notice a lot of plot similarities with them. Those who haven’t, you’ll have it in reverse. The one central narrative element which all four movies share, is that the story is focused on the male lead; his character, journey and emotions. The female lead is explored only as much as she impacts the male lead. We don’t delve into her thought process or the nuances of her thinking.
In our story, the male lead is Abhimanyu “Bubla” Roy, who is deeply and madly in love with Bindu Shankarnarayanan, his neighbour since 1983, when he was four.
Meri Pyaari Bindu is a fantastic film. It nails every aspect of film-making, direction, characterization, acting, songs, plot lines and dialogues! Damn.
It is so immensely engrossing. I have particular habit. In the movie hall, if somebody is speaking, or a phone seven rows in front of me turns on with a white scree, I get distracted and spend 10-20 second on the distraction. Fifteen minutes in, I was so into the film, I could care less what anybody was doing or speaking or thinking. I was laughing almost half the time. It became tough not to laugh at almost every scene. At one point, my mom had to tell me to laugh quietly. I remember hitting my knees on two occasions. The comedy is subtle and has you out of your wits.
At the same time, it has a great mix of emotional, which reveals the characters beyond their comedy.
Honestly, if any one of you came up to me and asked me to tell you a scene by scene synopsis of the movie, I would fail. There is just no chance. I was so hooked onto the movie, so engrossed in the scenes, I forgot to watch them; I was experiencing them. Like I said, you get so lost in the movie, you go from scene to scene, remembering the essence but forgetting what it was about. You can barely sequence the. That was about 70% of the first half and 50% of the second half for me.
Meri Pyaari Bindu is insanely artistic. I don’t think I can put it in terms which everyone will agree to; so I’ll put them in terms I relate to. It has so many elements which go beyond the surface. The scenes use nostalgia, often
accompanied by music to familiarise us with the characters. It uses metaphors to speak to us in scenes. The scenes have a deep magic embedded in them, which makes them feel they are scenes which happen only in movies, when they just as easily do in real life. The dialogues often have meaning beyond the surface, which can only be caught by those who pay attention to the film.
This is another reason why I love the film, because all these little little things add so much layer and depth to the film and make it a rewarding experience.
The movie honestly stands on its writing. The movie tackles a concept so well-trodden (the best inarguably by (500) Days of Summer), it’s impossible to set a foundation there because it’s been so overused, the building might crumble under its own weight. Every scene of the movie risks the foundation. Even if one scene were to miss its mark, it would ruin the remaining movie and nullify whatever has been done.
Plus, Ayushman Khurana and Parineeti Chopra had their characters down to the dot. Ayushman Khurana looked damn cute (and innocent and charming) in his portrayal of the silent, straight, supportive, intense, filled with nostalgia Abhimanyu “Bubla” Roy. Parineeti Chopra’s Bindu Shankarnarayanan is random, volatile and smart. Her character is as crazy and unpredictable as is Ayushman Khurana’s stable and silent. And Parineeti Chopra’s character does it all: be crazy, happy, cry silently and loudly, be sad, be depressed, be edgy and happy (the one where you’re satisfied with life and all it has to offer).
There is one particular complaint I have with the film. Everyone who still hasn’t watched the movie might want to skip it and get to the next paragraph. Early on in the film, the concept of a tape is introduced; wherein Abhimanyu and Bindu save 10 songs each on side of a cassette. These are the ten songs which are the most important in their life. We are only ever introduced to one song, the remaining 19 are never seen. I would have loved had all the songs been used, or at least a few more or the concept been revised to fewer songs so they could have been used.
Like I said, Meri Pyaari Bindu is a fantastic movie, one which deserves multiple re watches. Though beware, its comedy, artistic scenes and unconventional style don’t make it everyone’s cup of tea. It is certainly not a bad film by any stretch, but requires some acceptance of unconventional styles for getting into.